Category Archives: methods of teaching reading

How to teach a child to read with little cost

If you are attempting to teach your child to read, and you go to Amazon or your local book store and find literally hundreds of instruction books, dozens of video games, and all kinds of apps and CDs, and boxes of flash cards, where do you begin?  Is all that “stuff” really necessary?

I suggest a method which includes spending time with your child but not much money.

Start with the sounds of English. There are about 42 in most parts of the US.  Say the sounds aloud, one at a time.  Let your child listen and repeat the sounds aloud.  If he can’t say one or two of the sounds, work on those sounds for a few minutes each day until he can hear and repeat all the sounds.  (Supplies you will need:  a list of the 42 sounds, available free on this website and online.)

Next, explain that we associate letters with those sounds.  Start with consonants and teach the child to match each sound with a letter.  Move on to vowels and explain that some sounds share the same letter.  (At this point, don’t try to teach digraphs or exceptions.)  Say a particular sound and ask your child what letter goes with that sound.  Show a handful of letters to choose from and add more options as the child gains accuracy.  (Supplies you will need:  a set of the ABC’s on cards, on letter tiles or written by hand on index cards.)

Once the child can associate sounds with letters accurately, form CVC (consonant—vowel—consonant) words, such as “c a t.” From years of experience I have found that letter tiles work best at this.  (I use Scrabble game tiles, but there are other kinds.)  Set the three letters an inch apart.  Say the letter sounds one by one.  Move the letter tiles together slowly and then more rapidly, saying the letter sounds so that they eventually slur together.  Help the child learn that when we put letter sounds together, we form words.  (Supplies you will need:  lists of CVC words available free online.)

At this point, your child can read many of the words in some books, such as The Cat in the Hat, Green Eggs and Ham and  Hop on Pop.   Encourage the child to read the words she can and you read the other words.  If you own the books and don’t mind marking them, you can underline the words your child knows as she reads–a visible proof to the child that she can read.  (Supplies you will need:  a few early reading books available free online or for less than a dollar each at most resale stores.)

CVCC twin consonantsNext you need a plan to sequence the teaching of various types of words.   You can find plenty online.  Most plans start with two- or three-letter short vowel words like “cat” and “ax.”  Then they move on to blends, first at the beginnings of short vowel words (“blot”) and when those are understood, at the ends of such words (“blotch.”)  Adding “s” to form plurals is considered such a blend.  Then teach digraphs and sight (Dolch) words.  (Supplies you will need:  Lists of sight or Dolch words available free online.)

Some authorities suggest teaching two- and three-syllable short vowel words at this point, such as “catnip” and “tunnel.” Others suggest tackling one-syllable long vowel words beginning with words ending with a silent “e” such as “bake” and “tune” and then moving on to other long vowel combinations such as “ee” and “oa.”  There is no right or wrong sequence.  It is important to keep reviewing words the student already learned and mixing them up while you are teaching new kinds of words.  (Supplies you will need:  Lists of such words available free online.)

boy choosing right root for a prefixAt this point, you might teach prefixes and suffixes, or words which don’t follow rules such as two-syllable words with one consonant between the two vowels. Does the consonant go with the first syllable (“robin”) or with the second syllable (“robust”)?  (Supplies you will need:  Lists of such words available free  online.)

Three- and four-syllable words follow the same rules as one- and two-syllable words, but the problem is where to put the inflection so that they are pronounced correctly.  Help the child pronounce such words all possible ways until she hears the correct way.  You and your child might read books you own or library books, and when you come to long words, stop, and figure them out together.  (Supplies you will need:  Picture books, and lists of multi-syllable words available free online.)

By now your child is reading.  She might need help occasionally pronouncing a particular word, or more likely, understanding the meaning of an unfamiliar word.  But learning the sounds of English (phonemes) and linking those sounds to form words (phonics) is largely done.

A few students in my class read quickly. What do I do to keep them on task?

You could prepare a quiz ahead of time on the reading selection. Let the quiz focus on the pages to be read.  Ask students to raise their hands when their reading is done, give them the quiz and watch.  Since the quick readers are often gifted students, ask questions not at the knowledge level, but at higher level thinking.  Ask inference questions too which everyone finds tough.  Ask students to write not only the answer but the page and paragraph or line number which proves their answers.  Collect and check the quizzes to know if the quick readers are skimming or truly gaining knowledge.

dhild running with book in hands

You could ask quick readers to outline the reading passage. If it is nonfiction, then the outline could name the way information is presented, such as chronological, problem and solution, cause and effect, or whatever is appropriate.  Then the students could write one sentence per paragraph describing the information in each paragraph.  If the reading selection is fiction, then the outline could state the type of writing, such as description, dialog, action, or whatever is appropriate.  Writing one sentence per paragraph might not work for fiction, but one sentence per scene or character might.  The point is for the students to prove to you that they comprehend what they have read.

You could ask students to choose five words from the passage that they don’t understand or that they think their classmates might not understand and use a classroom dictionary to look them up. Then students should write each word in sentences to show what the word means.

You could ask students to write one (or two or more) questions about the reading which require thoughtfulness to answer. Collect them, shuffle them, and then use them for class discussion or homework.

Notice that all of these assignments focus on the original reading selection and either extend or deepen students’ understanding of it.  Students need only paper and pen and possibly a dictionary to do the work.  If you have the extra assignments printed up to use as needed, you can pass the appropriate one out any time a student finishes early.  And most of the ideas work well in science and social studies classes as well as in ELA classes.

Of course you could always have early finishers take out books and read them.  If the books’ Lexile numbers fit the students’ reading levels, this works.  But it does not enrich the reading lesson, and it could cause resentment among the slower readers who might feel punished for their slower progress.

Work with kenesthetic learners’ strengths–their bodies

Most preschoolers and many school-aged children are kenesthetic learners, that is learners who learn best when they are physically active.

Should my child sit still when she learns to read?

Ask such a child what “humongous” means, and she will spread her arms as far as she can reach.  Ask a one-year-old what the dog in the picture is doing, and the child will get down on all fours and sniff.  Ask a child the difference between up and down, the child will stand on a chair and say, “up,” and then jump to the floor and say, “down.”

These children use as much of their bodies as possible not only to learn but to demonstrate that they have learned.

How do you know if a child is a kenesthetic learner?

Child sitting with legs outstretched, forming the letter L

  • The child loves sports—running, jumping, dancing, and tumbling.
  • The child seems more active than other children of the same age.
  • The child gestures while talking.
  • When the child sees a demonstration, the child wants to try it herself.
  • The child ends the day dirty—dirt under his fingernails, peanut butter in his hair, shoes scuffed—and he is oblivious.
  • When reading or writing, the child kneels on a chair, stands, sits on the desk, stands on the chair and leans over, and does all of these in the span of five minutes.
  • The child fidgets while learning—tapping her fingers, puffing up her cheeks, wriggling her shoulders—yet she pays attention.
  • The child loves Legos, puzzles, and toys that can be put together or taken apart.
  • The child has great hand-eye coordination, and can learn to control pencils, paint brushes, screw drivers and tools with ease.

dhild running with book in hands

How does such a learning style affect reading?  What can you do?

  • Since a kenesthetic learner often reads later than his peers, you might panic that he is lagging his classmates. It helps if you can accept that for this child, reading is a low interest activity.  You can reinforce what he is learning by connecting it to activities he loves.  “A is for arrow.  B is for basketball.  C is for coach.”
  • Because the child needs to move, let him swing his legs, stand, lie on the floor, or move a rubber ball from hand to hand as he listens to instruction.children moving letter tiles
  • Break up reading lessons into mini-lessons with in-between times when the child is free to move around. Use this time for the child to act out what he has learned.
  • Since the child likes to use his hands, teach using manipulatives such as letter tiles, pictures to sort by sound, parts of sentences cut into phrases, flashcards, and online work which includes using a mouse. Vary the writing instruments the child uses since the feel of some will attract the child to work.
  • Suggest that the child draw what he is learning. Have her fill in boxes and use arrows to show relationships.
  • Use repetitive physical activity to deepen learning. Throw a ball back and forth while spelling new words.  Take a walk while discussing subjects and predicates.  Move magnetized words into sentences on the refrigerator while shifting weight in a dancing rhythm.  Draw mind webs while reading to show comprehension.
  • Teach a hard concept after physical activity.

My middle grader needs to read Romeo and Juliet next fall. It is so HARD to understand. How can I help?

Reading Shakespeare is reading a foreign language to 21st Century English speaking people who struggle with 400 years of changes in pronunciation, meaning, and even the existence of many words.

Reading a children’s version of a classic can help establish the main ideas and character relationships.

Even so, educated English-speaking people are expected to know Shakespeare.  Words from his plays are quoted or alluded to more often than anything except the Bible in Western literature.  Shakespeare is to the English language what Lincoln is to American democracy.

So how can you help a student to read Shakespeare?

  • Buy your son his own copy of Romeo and Juliet so he can write in it. The No Fear Shakespeare series which prints the original Shakespearean version on the left and a modern paraphrasing on the right, is good.  So are other annotated versions.
  • Keep and annotate a list of characters which your son can use as a bookmark. Shakespeare populates his plays with many characters.  List Romeo and his friends, for example, and identify them (hot-tempered, funny, talks in puns, or mixes up words).
  • Read Shakespeare as you would read poetry, with pauses at punctuation, not at the ends of lines. Shakespeare wrote in verse.  Some of the lines end with a period or comma, and you should pause there.  But many lines end without punctuation and should be read without a pause until the next punctuation mark, usually in the next line.  Reading this way will help with understanding.
  • Rewrite the words in normal word order if they don’t make sense the way they are written. In English, we usually have a subject–verb-direct object word order.  But Shakespeare sometimes uses a direct object-verb-subject word order.  “Never was seen so black a day as this:” (Romeo and Juliet, IV, v) puts the verb before the subject.  The quote makes more sense if you read it as “No one has ever seen a day as black as this.”   If there is not room in the margin, rewrite on tiny post-it notes.
  • Supply missing words. Just as we leave out words today (Haven’t seen y’in a while), so did Shakespeare.  Since his original audiences left out or shortened the same words he did, there was no problem to understand what he meant then.  But now, 400 years later, you need to write in the missing words or parts of words. Shakespeare contracted words to keep the meter of the verses and because his generation used those contractions.
  • Identify pronoun antecedents. Identifying who or what the pronouns refer to helps with understanding.  If your son owns the copy of the play he is reading, he can draw arrows to show relationships.  Or you can highlight using matching markers.  Take, for example, this quote from Romeo and Juliet (the boldface is mine):

But, soft! what light through yonder window breaks?
It is the east, and Juliet is the sun!
Arise, fair sun, and kill the envious moon,
Who is already sick and pale with grief,
That thou her maid art more fair than she:

“It” refers back to light.  “Who” refers to the moon.  “Thou” refers to Juliet.  Both “her” and “she” refer to the moon.  Drawing arrows helps.

  • Paraphrase confusing verses. The above quotation can be rewritten as, “But wait.  What is that light starting to come through the window from the east?  That light is Juliet, the sun.  Rise up, beautiful sun, and overshadow the envious moon which is already growing dim. The moon realizes that you, Juliet, are more beautiful than it is.”  Not as elegant as Shakespeare’s words, for sure, but the rewrite in modern English is easier to understand.
  • Figure out metaphors. Shakespeare used lots of them.  Encourage your son to write them in the margins of his book.
  • Identify allusions. Just as authors today refer to Shakespeare, Shakespeare referred to the Bible, to British history and to ancient Greek and Roman myths.  Again, annotate.
  • Untangle wordplay. Shakespeare delights in puns and words with double meanings, especially words whose secondary meanings are sexual.  Some children need help understanding the secondary meanings.  Write the meanings in the margins.
  • Use a dictionary to look up unfamiliar words. Even though almost all of Shakespeare’s words are still in use today, some are not, or their meanings have changed over the centuries.  In dictionaries, such meanings might be listed as archaic.  A long list of such words can be found at shakespearehigh.com
  • Reread some parts several times. Once your son has analyzed words, phrases and verses, another reading will make more sense.  And if he reads aloud, the play will make even more sense.
  • Watch a good film or stage play after you have analyzed the written play. Even then it might take some getting used to the British accents (if it is a BBC production) and to the unfamiliar word patterns.  But Shakespeare’s plays were meant to be acted out, not read on a page, and will come to life when acted.

10 picture books with simple illustrations

Picture books with simple illustrations and bland backgrounds—the kinds which appeal to toddlers and children with sensory integration problems—can be hard to find if you search online or on shelf.  Even harder to find are such books which tell a story.

But they are great books for reading aloud to sensitive children.  And they are equally valuable for suggesting story ideas for children to write.

Here are ten such books from all over the world which your child might enjoy.  Many have won awards.

 

Why Mosquitos Buzz in People’s Ears by Verna Aardema

The Enormous Crocodile by Roald Dahl (the version illustrated by Quentin Blake)

The Snowman by Raymond Briggs

Puss Jekyll Cat Hyde by Joyce Dunbar

The Farmer and the Clown by Marla Frazee (wordless)

Flora and the Penguin by Molly Idle (wordless)

The Great Paper Caper by Oliver Jeffers

The Snowy Day by Ezra Jack Keats

Snow White and the Fox by Niroot Puttapipat

Lon Po Po:  A Red Riding Hood Story from China by Ed Young

For kids with sensory integration issues, choose picture books with pared down shapes, colors, focus

If your child resists being read to or resists reading certain picture books, it could be the pictures themselves that discourage reading.

Look for books with no backgrounds, solid colors, and focused on one or two characters.

Picture books with detailed backgrounds or with copious patterns can turn off children with sensory integration issues.  Such children have difficulty focusing if there is too much pattern, noise, motion, or texture in any experience.  They prefer plain painted walls and plain bedspreads, not papered walls and patterned bedding; low, instrumental music by a single instrument, not loud music or music with lyrics; sitting or standing still, not rocking or dancing; and loose knit clothing, not clothes with tags or clothes that are tight-fitting.

When you choose books for children who show sensory integration issues, search for picture books with these characteristics:

  • Pictures with no backgrounds, or just the hint of background—a wash of green to represent grass and trees, for example, or one or two birds in the sky, not a whole flock.
  • Characters dressed in solid colors without shading or patterns in their clothes. If you have seen Pippa the Pig books or cartoons, with their simplistic images, that is the kind you want to show your child.
  • Pictures using flat shapes and limited colors, the kind that children themselves produce. (Think of the way Peanuts cartoon characters are presented—Charlie Brown with his round head and Lucy with her dress of a single color.)
  • Pictures focusing on one or two characters, not groups. Look for pared down, minimalist images which have removed everything but the essential elements.

Likewise, when you look for  picture books for children with sensory integration issues to write about, search for picture books with the same features.  Some wordless picture books offer these kinds of pictures, but not all do.

Finding such books in your library or book store is not easy.  A section labeled “simplistic art” doesn’t exist.  I have had to scour shelves to find what I am looking for.  But the search is worth it to entice a reluctant child reader or writer.

Next blog:  Names of some books that might appeal to kids showing sensory integration issues.

Can listening to music help kids to focus?

Yes, it can if it is the right kind of music.

For work requiring focus and concentration, children should listen to instrumental music with no voices or lyrics.  Such music works even better than ambient noise, such as a ceiling fan or hair dryer in the background.

If listeners become accustomed to hearing the same kind of music when learning, they respond repeatedly in the same way, much like Pavolov’s dogs in his famous experiments.  Children learn to associate a particular stimulus—the instrumental music—to a particular behavior—focused attention.

On the other hand, for work requiring little thought but a great deal of energy, children should listen to music with a quick beat and energizing lyrics.

Why does music help?  Listening to music releases a chemical called dopamine which turns on different parts of the brain known to be important for learning.