Category Archives: methods of teaching reading

Work with kenesthetic learners’ strengths–their bodies

Most preschoolers and many school-aged children are kenesthetic learners, that is learners who learn best when they are physically active.

Should my child sit still when she learns to read?

Ask such a child what “humongous” means, and she will spread her arms as far as she can reach.  Ask a one-year-old what the dog in the picture is doing, and the child will get down on all fours and sniff.  Ask a child the difference between up and down, the child will stand on a chair and say, “up,” and then jump to the floor and say, “down.”

These children use as much of their bodies as possible not only to learn but to demonstrate that they have learned.

How do you know if a child is a kenesthetic learner?

Child sitting with legs outstretched, forming the letter L

  • The child loves sports—running, jumping, dancing, and tumbling.
  • The child seems more active than other children of the same age.
  • The child gestures while talking.
  • When the child sees a demonstration, the child wants to try it herself.
  • The child ends the day dirty—dirt under his fingernails, peanut butter in his hair, shoes scuffed—and he is oblivious.
  • When reading or writing, the child kneels on a chair, stands, sits on the desk, stands on the chair and leans over, and does all of these in the span of five minutes.
  • The child fidgets while learning—tapping her fingers, puffing up her cheeks, wriggling her shoulders—yet she pays attention.
  • The child loves Legos, puzzles, and toys that can be put together or taken apart.
  • The child has great hand-eye coordination, and can learn to control pencils, paint brushes, screw drivers and tools with ease.

dhild running with book in hands

How does such a learning style affect reading?  What can you do?

  • Since a kenesthetic learner often reads later than his peers, you might panic that he is lagging his classmates. It helps if you can accept that for this child, reading is a low interest activity.  You can reinforce what he is learning by connecting it to activities he loves.  “A is for arrow.  B is for basketball.  C is for coach.”
  • Because the child needs to move, let him swing his legs, stand, lie on the floor, or move a rubber ball from hand to hand as he listens to instruction.children moving letter tiles
  • Break up reading lessons into mini-lessons with in-between times when the child is free to move around. Use this time for the child to act out what he has learned.
  • Since the child likes to use his hands, teach using manipulatives such as letter tiles, pictures to sort by sound, parts of sentences cut into phrases, flashcards, and online work which includes using a mouse. Vary the writing instruments the child uses since the feel of some will attract the child to work.
  • Suggest that the child draw what he is learning. Have her fill in boxes and use arrows to show relationships.
  • Use repetitive physical activity to deepen learning. Throw a ball back and forth while spelling new words.  Take a walk while discussing subjects and predicates.  Move magnetized words into sentences on the refrigerator while shifting weight in a dancing rhythm.  Draw mind webs while reading to show comprehension.
  • Teach a hard concept after physical activity.

My middle grader needs to read Romeo and Juliet next fall. It is so HARD to understand. How can I help?

Reading Shakespeare is reading a foreign language to 21st Century English speaking people who struggle with 400 years of changes in pronunciation, meaning, and even the existence of many words.

Reading a children’s version of a classic can help establish the main ideas and character relationships.

Even so, educated English-speaking people are expected to know Shakespeare.  Words from his plays are quoted or alluded to more often than anything except the Bible in Western literature.  Shakespeare is to the English language what Lincoln is to American democracy.

So how can you help a student to read Shakespeare?

  • Buy your son his own copy of Romeo and Juliet so he can write in it. The No Fear Shakespeare series which prints the original Shakespearean version on the left and a modern paraphrasing on the right, is good.  So are other annotated versions.
  • Keep and annotate a list of characters which your son can use as a bookmark. Shakespeare populates his plays with many characters.  List Romeo and his friends, for example, and identify them (hot-tempered, funny, talks in puns, or mixes up words).
  • Read Shakespeare as you would read poetry, with pauses at punctuation, not at the ends of lines. Shakespeare wrote in verse.  Some of the lines end with a period or comma, and you should pause there.  But many lines end without punctuation and should be read without a pause until the next punctuation mark, usually in the next line.  Reading this way will help with understanding.
  • Rewrite the words in normal word order if they don’t make sense the way they are written. In English, we usually have a subject–verb-direct object word order.  But Shakespeare sometimes uses a direct object-verb-subject word order.  “Never was seen so black a day as this:” (Romeo and Juliet, IV, v) puts the verb before the subject.  The quote makes more sense if you read it as “No one has ever seen a day as black as this.”   If there is not room in the margin, rewrite on tiny post-it notes.
  • Supply missing words. Just as we leave out words today (Haven’t seen y’in a while), so did Shakespeare.  Since his original audiences left out or shortened the same words he did, there was no problem to understand what he meant then.  But now, 400 years later, you need to write in the missing words or parts of words. Shakespeare contracted words to keep the meter of the verses and because his generation used those contractions.
  • Identify pronoun antecedents. Identifying who or what the pronouns refer to helps with understanding.  If your son owns the copy of the play he is reading, he can draw arrows to show relationships.  Or you can highlight using matching markers.  Take, for example, this quote from Romeo and Juliet (the boldface is mine):

But, soft! what light through yonder window breaks?
It is the east, and Juliet is the sun!
Arise, fair sun, and kill the envious moon,
Who is already sick and pale with grief,
That thou her maid art more fair than she:

“It” refers back to light.  “Who” refers to the moon.  “Thou” refers to Juliet.  Both “her” and “she” refer to the moon.  Drawing arrows helps.

  • Paraphrase confusing verses. The above quotation can be rewritten as, “But wait.  What is that light starting to come through the window from the east?  That light is Juliet, the sun.  Rise up, beautiful sun, and overshadow the envious moon which is already growing dim. The moon realizes that you, Juliet, are more beautiful than it is.”  Not as elegant as Shakespeare’s words, for sure, but the rewrite in modern English is easier to understand.
  • Figure out metaphors. Shakespeare used lots of them.  Encourage your son to write them in the margins of his book.
  • Identify allusions. Just as authors today refer to Shakespeare, Shakespeare referred to the Bible, to British history and to ancient Greek and Roman myths.  Again, annotate.
  • Untangle wordplay. Shakespeare delights in puns and words with double meanings, especially words whose secondary meanings are sexual.  Some children need help understanding the secondary meanings.  Write the meanings in the margins.
  • Use a dictionary to look up unfamiliar words. Even though almost all of Shakespeare’s words are still in use today, some are not, or their meanings have changed over the centuries.  In dictionaries, such meanings might be listed as archaic.  A long list of such words can be found at shakespearehigh.com
  • Reread some parts several times. Once your son has analyzed words, phrases and verses, another reading will make more sense.  And if he reads aloud, the play will make even more sense.
  • Watch a good film or stage play after you have analyzed the written play. Even then it might take some getting used to the British accents (if it is a BBC production) and to the unfamiliar word patterns.  But Shakespeare’s plays were meant to be acted out, not read on a page, and will come to life when acted.

10 picture books with simple illustrations

Picture books with simple illustrations and bland backgrounds—the kinds which appeal to toddlers and children with sensory integration problems—can be hard to find if you search online or on shelf.  Even harder to find are such books which tell a story.

But they are great books for reading aloud to sensitive children.  And they are equally valuable for suggesting story ideas for children to write.

Here are ten such books from all over the world which your child might enjoy.  Many have won awards.

 

Why Mosquitos Buzz in People’s Ears by Verna Aardema

The Enormous Crocodile by Roald Dahl (the version illustrated by Quentin Blake)

The Snowman by Raymond Briggs

Puss Jekyll Cat Hyde by Joyce Dunbar

The Farmer and the Clown by Marla Frazee (wordless)

Flora and the Penguin by Molly Idle (wordless)

The Great Paper Caper by Oliver Jeffers

The Snowy Day by Ezra Jack Keats

Snow White and the Fox by Niroot Puttapipat

Lon Po Po:  A Red Riding Hood Story from China by Ed Young

For kids with sensory integration issues, choose picture books with pared down shapes, colors, focus

If your child resists being read to or resists reading certain picture books, it could be the pictures themselves that discourage reading.

Look for books with no backgrounds, solid colors, and focused on one or two characters.

Picture books with detailed backgrounds or with copious patterns can turn off children with sensory integration issues.  Such children have difficulty focusing if there is too much pattern, noise, motion, or texture in any experience.  They prefer plain painted walls and plain bedspreads, not papered walls and patterned bedding; low, instrumental music by a single instrument, not loud music or music with lyrics; sitting or standing still, not rocking or dancing; and loose knit clothing, not clothes with tags or clothes that are tight-fitting.

When you choose books for children who show sensory integration issues, search for picture books with these characteristics:

  • Pictures with no backgrounds, or just the hint of background—a wash of green to represent grass and trees, for example, or one or two birds in the sky, not a whole flock.
  • Characters dressed in solid colors without shading or patterns in their clothes. If you have seen Pippa the Pig books or cartoons, with their simplistic images, that is the kind you want to show your child.
  • Pictures using flat shapes and limited colors, the kind that children themselves produce. (Think of the way Peanuts cartoon characters are presented—Charlie Brown with his round head and Lucy with her dress of a single color.)
  • Pictures focusing on one or two characters, not groups. Look for pared down, minimalist images which have removed everything but the essential elements.

Likewise, when you look for  picture books for children with sensory integration issues to write about, search for picture books with the same features.  Some wordless picture books offer these kinds of pictures, but not all do.

Finding such books in your library or book store is not easy.  A section labeled “simplistic art” doesn’t exist.  I have had to scour shelves to find what I am looking for.  But the search is worth it to entice a reluctant child reader or writer.

Next blog:  Names of some books that might appeal to kids showing sensory integration issues.

Can listening to music help kids to focus?

Yes, it can if it is the right kind of music.

For work requiring focus and concentration, children should listen to instrumental music with no voices or lyrics.  Such music works even better than ambient noise, such as a ceiling fan or hair dryer in the background.

If listeners become accustomed to hearing the same kind of music when learning, they respond repeatedly in the same way, much like Pavolov’s dogs in his famous experiments.  Children learn to associate a particular stimulus—the instrumental music—to a particular behavior—focused attention.

On the other hand, for work requiring little thought but a great deal of energy, children should listen to music with a quick beat and energizing lyrics.

Why does music help?  Listening to music releases a chemical called dopamine which turns on different parts of the brain known to be important for learning.

 

How to build reading comprehension skills in a child who can’t read yet

Though toddlers can’t read, they can begin to learn the comprehension skills they will need when they do read.  Here’s one way you can help.

Improve their listening comprehension by orally quizzing them—as playfully as possible—when you read stories to them.

Ask them questions after each page or each part of a story. “Now I forget.  Is Little Red Riding Hood going to her grandmother’s house or her big sister’s house?”  In this case you offer two suggestions, one of which is correct, and the children can choose the correct answer.

Later, as the children grow, ask them to supply the answer. “How many little pigs were there?”  “Was one of the houses made out of leaves?”

Questions about the sequencing of a story encourage children to pay attention to what comes at the beginning, in the middle, and at the end. “When did Sylvester find the magic pebble?  Was it at the beginning of the story or at the end?”

Questions about the setting encourage children to pay attention to the where and when of a story.  “I think Cinderella lived in a tent.  What do you think?”

As much as possible, make the quizzing seem like a game. Use gestures, facial animation and your “big, bad wolf” voice.  Limit the number of questions you ask to the child’s age plus one so the child doesn’t tire of this activity.

Some children will enjoy asking you the questions. Go for it.  This will make the activity seem more game-like since in a game, everybody gets a chance.

If you make remembering information and asking questions a normal part of telling stories, children are apt to bring this habit to the stories they read themselves.

 

 

How to find the main idea in nonfiction articles

Understanding the main idea of a piece of writing is probably the most important aspect of reading once children understand phonics.  Yet many children struggle to find the main idea.  How can we help them?

  • Ask the children to read the title and any subheadings. Ask the children what those words mean.  Ask the children to predict what the writing might be about.
  • Ask the children to look at any graphics such as photos, graphs, charts, maps, diagrams or other nontextual information. Ask the children what they have learned from those graphics.  Ask them to predict what the reading might be about.
  • In nonfiction, the main idea is often expressed at the end of the first paragraph. Ask the children if the last sentence of the first paragraph tells what the main idea is.
  • In nonfiction, many times the first paragraph or even two or three paragraphs are a hook. They might give hints about the topic of the writing, but they might not tell the main idea.  Ask the children if that is the case with what they are reading.
  • In nonfiction, topic sentences often start the body paragraphs of a reading. Ask the child to read the first sentences of the body paragraphs.  Are they topic sentences?  If so, what is the topic that they are giving details about?
  • In the last paragraph of nonfiction, the main idea is often repeated. Ask the children to read the last paragraph and to identify the main idea if it is there.
  • Reading the first important paragraph (not the hook) and the last paragraph, one right after another, can sometimes help children to discover the main idea. Do both paragraphs talk about the same thing?  If so, what is it?

Some children will understand immediately while others will need many, many lessons focused on the main idea.  If children need more examples, more tries at figuring it out, make sure they get those extra examples and time.  Figuring out the main idea will be on almost every reading test they ever take from first grade to the SATs.

But more importantly, it is a life skill which they will need.